Quote (BeltzeBuBi @ Feb 12 2015 11:59am)
buy that camera that you can offer
the camera is not very important, it is just your photographic eye that makes good pictures
i would give you a 50mm lens to learn don't start with a zoom
there is a canon 50mm 1.8 i belive for round about 100€ it is great, so you have ~450€ for a camera + SD Cards + 1 extra Battery
that is a great start i wish i had it 6years before :D
I disagree:
1) A 50mm f1.8 lens is certainly useful. However, on a crop sensor camera, that provides an approximately 76mm field of view on Nikon's current cameras (1.52 crop factor), and an approximate 80mm field of view on Canon's crop sensor cameras. What you end up getting is a short telephoto. However, f1.8 on crop provides a depth of field equivalent to about f2.73 on crop for Nikon, and f2.88 on Canon. So, you really have an entirely different lens between the two formats. On a crop sensor camera, the best prime to work with as a beginner (or just for general walk-around work) is a 30mm, or a 35mm. This will be equivalent to about the 50mm field of view of full frame. The big downside is that it still won't be a 50mm... it won't produce the shallow depth of field of f1.8 on full frame.
2) The camera body certainly does matter. If one camera body can produce shots with the same noise levels and dynamic range at ISO 3200 as the other does at ISO 1600, then you're looking at a huge difference. That means that if he's shooting in a scenario where he only gets say 1/60 of a second at ISO 1600, he could work with ISO 3200 and get 1/120 of a second shutter speed. If the other camera just produces terrible shots at ISO 3200, then it's going to limit low light shots. Additionally, the dynamic range of the camera, and the quality of the RAW file and information recorded, is going to dictate what can be futher done in lightroom. Finally - not that these points are the only points that I have to make, they're just the first that come to mind - the autofocus capabilities of the camera are very important... even single-servo single-point focus can be worse on one camera to another.
However, I do agree that a prime is wonderful to start with. More-so to allow a new shooter the ability to play with fast apertures, and not feel limited by slightly dim settings... although understanding the importance of moving, rather than zooming, is certainly a big deal (I feel that's not so much something to practice as it is something to practically understand... as in, I'll whip out my ultrawide if I want to elongate the scene, or I'll get out my 50mm prime if I want a more boxed-in, slightly more compressed view, or my 85mm if I want something tighter and specific ie. portrait). But I don't really run around practicing with them as a forced kind of thing, never have.
This post was edited by Canadian_Man on Feb 12 2015 10:38pm