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THats exactly what i said, except not so aggressive. But you're still giving Jordan way too much credit. He hasn't had the great impact your painting of him.... In fact, the popularity of the Waste of Time smuggled and quenched much better fantasy. Wot is in no way creative or compelling. He takes super popular ideas (like fucking talking to fucking wolves) and a million other things from tolkien and eddings (for starters) and other gods...and retards praise him for it. As I said, his first 3 had the potential to be the start of a great series, but wtf happened to them? your guess is as good as mine.
As for the credits, I think most of them are due. Fantasy was largely dead when WoT started. Brooks started the first resurgence with what amounted to an inferior retelling of LotR's. Which spawned a number of fantasy works in the same vein that amounted to Tolkien ripoffs or Dungeons and dragons campaigns set to book form. But that was done by the mid-80's. From there until WoT 1 was published almost no new major fantasy epics started. And what was published was usually shit. (Pratchet excepted of course)
Fantasy has always had a negative stigma. And by the late 80's the soccer mom crusaders were out in full force against the 'evil' D&D shit that was corrupting their children and "causing" murders and suicides. Anything with dragons or magic was already relegated to the 'kiddie' isle and at that point, pompous moral crusaders decided such things were unfit for kids as well. The genre had no respect and near universal scorn. Alot of it was deserved. Most works were poorly written and trotted out the same old cliches time and time again.
RJ didn't break those cliches. He wanted to to some extent (fairly interesting how he originally envisioned the series), but publishing pressures nixed that outside the box thinking right away. Initially however his writing was strong compared to the rest of the genre, his characters interesting and enjoyable in their naive innocence, and his world vast and more thoroughly explored than anything before. And it was popular. As a general rule, fantasy books DO NOT appear on major top 10 bestsellers lists. And Jordan was the first one to do so (several novels popping up at #1...at least on the week of release) in a long time. This told publishers that fantasy was actually marketable again. This allowed other authors to get published. Once WoT started getting really popular, sometime around book 3-5, suddenly we saw the publishing of Goodkind, Martin, Hobb and others. All within a few years span.
I'm not saying that wouldn't have been published without RJ. We can't know either way. But he absolutely did make it easier for fantasy writers to get a serious look by publishers. And made some writers and publishers more willing to take risks in the genre. And his success, the later new works of other authors, all contributed to an increasingly more talented pool of authors deciding to give fantasy a try. As a general rule, talented writers didn't bother with fantasy. It was boring. Derivative. For the infantile fantasies of adolescent boys. Nothing more than farmboy A discovers great power and must learn from mentor B (who always dies at some point), while seeking out SUPER Item C to help destroy SUPERVILLAIN D and save the world.
Now we have Bakker exploring concepts of free will vs. determinism through the eyes of a 100% amoral, sociopathic protagonist. Mieville blending steampunk and fantasy in one of the most outstandingly weird worlds ever put to ink. And of course Martin dashing every expectation and slaughtering every fantasy cliche in his low magic, high realism, morally grey fantasy epic. These are all VERY talented authors. Ones who may well have found another genre if fantasy was still a dead end filled with nothing but inferior lotr knockoffs. RJ did not smother this. RJ told the rest of the literary world that fantasy was still viable. Its no coincidence that once WoT got popular, alot of other BIG fantasy suddenly started getting published again.