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Sep 27 2010 10:40pm
What do you think? I finally am a bit satisfied with my photography, though, sadly, by tomorrow I'll probably hate this photo too..

C&C please.. :D



This post was edited by kratos on Sep 27 2010 10:42pm
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Sep 27 2010 10:54pm
Love the concept. But the glass is crooked. :O

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Sep 27 2010 11:07pm
Quote (Eek @ Sep 27 2010 11:54pm)
Love the concept. But the glass is crooked. :O


Not my fault humans aren't perfect when they blow glass. :D

I know, I need to try and do something about that next time I do this.
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Sep 27 2010 11:09pm
Hmm... I get the conecpt and it's not bad dude.

Needs a lot more attention to detail. A few things...

Move the light source further back from the back ground

Move the back ground paper back or use smoother stuff, the gradient is too sharp.

Straighten the glass.

The specular highlights on the front of the glass aren't very well controlled.

I'll draw a picture of the type of set I used to make for shots like these. Give us a few mins.

This post was edited by lithfkn on Sep 27 2010 11:10pm
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Sep 27 2010 11:12pm
Quote (lithfkn @ Sep 28 2010 01:09am)
Hmm... I get the conecpt and it's not bad dude.

Needs a lot more attention to detail. A few things...

Move the light source further back from the back ground

Move the back ground paper back or use smoother stuff, the gradient is too sharp.

Straighten the glass.

The specular highlights on the front of the glass aren't very well controlled.

I'll draw a picture of the type of set I used to make for shots like these. Give us a few mins.


Wouldn't the highlights be hard to control without softboxes? Maybe a few pieces of white foam board?
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Sep 27 2010 11:20pm
Quote (lithfkn @ Sep 28 2010 12:09am)
Hmm... I get the conecpt and it's not bad dude.

Needs a lot more attention to detail. A few things...

Move the light source further back from the back ground

Move the back ground paper back or use smoother stuff, the gradient is too sharp.

Straighten the glass.

The specular highlights on the front of the glass aren't very well controlled.

I'll draw a picture of the type of set I used to make for shots like these. Give us a few mins.


I know what you mean, I'm a bit cramped for space where I was shooting, I couldn't move myself back and farther and the only way I could move the setup was towards the wall more. The highlights on the glass are from the flash having to be directly under the glass. I just make a big softbox today and I didn't think of using it for this, though it will be a bit difficult to actually do the drop inside the softbox.
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Sep 27 2010 11:39pm
Quote (Eek @ Sep 28 2010 03:12pm)
Wouldn't the highlights be hard to control without softboxes? Maybe a few pieces of white foam board?


To begin with, the easiest light source to control would be tungsten spot and flood lights using tracing paper to soften the light and cutters to control where it spills. Jumping straight into flash will just irritate a beginner when it comes to lighting glass. It was one of the hardest things I shot at uni. Unlucky that it was all on 4x5 film too :/

Quote (kratos @ Sep 28 2010 03:20pm)
I know what you mean, I'm a bit cramped for space where I was shooting, I couldn't move myself back and farther and the only way I could move the setup was towards the wall more. The highlights on the glass are from the flash having to be directly under the glass. I just make a big softbox today and I didn't think of using it for this, though it will be a bit difficult to actually do the drop inside the softbox.




Sorry for the shitty pic, I had to quickly draw it. I don't have a lot of time because I'm at work but that is a tried and proved basic setup for rimlight lighting on glasses (sexy shit)

Meter the back ground for black.

In between the light source and the glass, use tracing paper to diffuse the light and black pieces of card to cut into it to shape the outline of the glass and create highlights.

It's all about control. Get rid of the flash. You won't be able to control a little speedlight. Get some tungsten flood/spotlights. Just change the white balance to tungsten or shoot raw. Easy stuff and much easier to control.

PS. I drew it like it was a 4x5 camera, my bad.

This post was edited by lithfkn on Sep 27 2010 11:41pm
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Sep 28 2010 07:41am
Quote (lithfkn @ Sep 28 2010 12:39am)
To begin with, the easiest light source to control would be tungsten spot and flood lights using tracing paper to soften the light and cutters to control where it spills. Jumping straight into flash will just irritate a beginner when it comes to lighting glass. It was one of the hardest things I shot at uni. Unlucky that it was all on 4x5 film too :/



http://i21.photobucket.com/albums/b252/mustangnicko/Untitled-1-1.jpg

Sorry for the shitty pic, I had to quickly draw it. I don't have a lot of time because I'm at work but that is a tried and proved basic setup for rimlight lighting on glasses (sexy shit)

Meter the back ground for black.

In between the light source and the glass, use tracing paper to diffuse the light and black pieces of card to cut into it to shape the outline of the glass and create highlights.

It's all about control. Get rid of the flash. You won't be able to control a little speedlight. Get some tungsten flood/spotlights. Just change the white balance to tungsten or shoot raw. Easy stuff and much easier to control.

PS. I drew it like it was a 4x5 camera, my bad.


Well that's definitely not happening for me, I don't have a boom, I can't shoot water drops with a spot light, and I can't shoot with the water parallel to the glass's opening when the glass is tilted.

Unless I missed something..

This post was edited by kratos on Sep 28 2010 07:48am
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Sep 28 2010 08:35am
I'm trying to make it look better, here's what I have so far, straight from camera.



Any suggestions?

This post was edited by kratos on Sep 28 2010 08:35am
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Sep 28 2010 09:59am
this is amazing
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