d2jsp
Log InRegister
d2jsp Forums > Off-Topic > Entertainment Room > Musicians Chat > Need Halp With One Chord In Ebon Coast!! > -----possible Fg Ft ^_^-----
Add Reply New Topic New Poll
Views: 139Replies: 3Track Topic
Member
Posts: 10,373
Joined: Feb 26 2006
Gold: 1,141.00
#1
Dec 16 2009 11:38pm
Video Link *Note this is played on a baritone guitar

Confusing chord = 37-38 seconds through



(most of the tabing below is total trash but I agree with the bolded part as that seems how Andy plays it.

B |-----7--------------------7------|-----7----------------------------|------|
F#|----5--7-5--------7H8--10---8----|-----------8-----------8-----8----|------|
D |---7----------7H9----------------|---9-------9-----------11---11--(A)-----|
A |---------------------------------|---10---10---10------9-----9---9--|------|
E |---------------------------------|-0--------------------------------|------|
B |-0----------x------0-----x-------|------x-----------10-----x--------|------|


Now in standard tuning (*baritone guitar can be directly translated in standard tuning) I am totally dumbfounded to how G string @ 11 and B string @ 8 make any type of harmony at all.

In the video Andy uses a similar chord structure [37-38 SEC]. I'm not sure if I'm missing something or if the thicker strings and down tuning changes the effect but the chord as it seems is incorrect.

This post was edited by Pootmasta_P on Dec 16 2009 11:40pm
Member
Posts: 3,586
Joined: Sep 7 2006
Gold: 0.00
Warn: 10%
#2
Dec 17 2009 01:49am
10 x 9 11 8 0 is what it looks like.. not sure what the chord is
Member
Posts: 1,780
Joined: Mar 7 2005
Gold: Locked
Trader: Scammer
Warn: 10%
#3
Dec 17 2009 03:23am
Quote (Pootmasta_P @ 17 Dec 2009 01:38)
Video Link *Note this is played on a baritone guitar

Confusing chord = 37-38 seconds through

http://www.youtube.com/watch?v=lSnWhsmlGec

(most of the tabing below is total trash but I agree with the bolded part as that seems how Andy plays it.

B |-----7--------------------7------|-----7----------------------------|------|
F#|----5--7-5--------7H8--10---8----|-----------8-----------8-----8----|------|
D |---7----------7H9----------------|---9-------9-----------11---11--(A)-----|
A |---------------------------------|---10---10---10------9-----9---9--|------|
E |---------------------------------|-0--------------------------------|------|
B |-0----------x------0-----x-------|------x-----------10-----x--------|------|


Now in standard tuning (*baritone guitar can be directly translated in standard tuning) I am totally dumbfounded to how G string @ 11 and B string @ 8 make any type of harmony at all.

In the video Andy uses a similar chord structure [37-38 SEC]. I'm not sure if I'm missing something or if the thicker strings and down tuning changes the effect but the chord as it seems is incorrect.


well lets break it down shall we?

assuming that its 10-9-11-8 and played in standard
we conclude that its D--A--F#--G

D--F#--A makes up Dmaj 1-3-5 Triad

D--F#-G--A makes up or Dadd4. 1-3-P4-5

so yeah the chord is Dadd4

"add" means that we basically add another note in the triad. In this case its the perfect fourth of the D major scale.

what would sound cool and probably better in standard is taking that Dadd4 and making in to a Dmaj. Or even better turn that Add4 into a Sus4 and resolve into Dmaj

so just for kicks try this---- play

B |-----7--------------------7------|-----7----------------------------|------|
F#|----5--7-5--------7H8--10---8----|-----------8-----------8--------------|------|
D |---7----------7H9----------------|---9-------9-----------11---10--(A)-----|
A |---------------------------------|---10---10---10------9-----9---9--|------|
E |---------------------------------|-0--------------------------------|------|
B |-0----------x------0-----x-------|------x-----------10-----x--------|------|

so play that Dadd4, and then slide the (11) to the (10)

This post was edited by gomex799 on Dec 17 2009 03:51am
Member
Posts: 10,373
Joined: Feb 26 2006
Gold: 1,141.00
#4
Dec 17 2009 07:58am
Quote (gomex799 @ Dec 17 2009 04:23am)
well lets break it down shall we?

assuming that its 10-9-11-8 and played in standard
we conclude that its  D--A--F#--G

D--F#--A makes up Dmaj  1-3-5 Triad

D--F#-G--A makes up or Dadd4.  1-3-P4-5

so yeah the chord is Dadd4

"add" means that we basically add another note in the triad. In this case its the perfect fourth of the D major scale.

what would sound cool and probably better in standard is taking that Dadd4 and making in to a Dmaj. Or even better turn that Add4 into a Sus4 and resolve into Dmaj

so just for kicks try this---- play

B |-----7--------------------7------|-----7----------------------------|------|
F#|----5--7-5--------7H8--10---8----|-----------8-----------8--------------|------|
D |---7----------7H9----------------|---9-------9-----------11---10--(A)-----|
A |---------------------------------|---10---10---10------9-----9---9--|------|
E |---------------------------------|-0--------------------------------|------|
B |-0----------x------0-----x-------|------x-----------10-----x--------|------|

so play that Dadd4, and then slide the (11) to the (10)



Wow thank you for the lesson ^_^

However playing...

E|-----------------------------------|
B|---------11-----------------10---|
G|----------8------------------8----|
D|------9--------or-------9---------|
A|-----------------------------------|
E|--10----------------10-----------|

...sounds nothing like the chord actually played in the video. I'm still confused, perhaps I am just unable to hear the notes clearly.
Go Back To Musicians Chat Topic List
Add Reply New Topic New Poll

© 2003-2024 d2jsp  Contact