Quote (Kellenor @ Mon, Jun 30 2008, 08:50pm)
You might also try and get an older model Crate, before they went full DSP (digital something something). Mines got the analog knobs, a bunch of effects, and a togglable chorus, plus a good amount of low end, without sounding all tinny and fake like the current solid state shit from Crate does. For the really extreme stuff, if you aren't into doing a ton of tweaking to the lead channel, it might be easier to get like a Boss Metal Zone, but other than that, it rocks. Mines a GX40C, 2x10 combo, plenty loud for a smaller gig, and if it's mic-ed it wouldn't matter if it's a stadium.
Line 6 are great if you can fuck around with them long enough to learn all their presets. The one I'm looking into is a half stack for around $600, the Spyder III, and it seemed really versatile for what I want it for (think ranging from the cleans on Watching Over Me to the main line of Lashed to the Slavestick). Might have been the settings, but the highs seemed to really scream too, even on a POS with single coils (only lefty in the store at the time). I'll post once I've tried it out on my Kramer Nightswan, as it's got a Dimebucker (the extreme setting should be fun with such a hot pickup).
Heh, I actually have a Boss Metal Zone, love it too.
I was looking into a Line 6 too, and I think it may have been the Spyder III as that name looks vey familiar, but the one I saw was a bit cheaper.