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Feb 21 2010 04:58pm
Quote (youknight @ May 18 2008 06:46pm)
http://i25.tinypic.com/29vigap.jpg


Not really to big on guitar anymore

but

I have a Madison Divinity 100 Watt all tube head w/ Mesa Boogie 6L6's and 12AX7 preamps

Mesa Boogie Single Rectifier

Mesa Boogie 4x12 Oversized Cab

ESP LTD MH-1000 Deluxe

and Gibson SG Voodoo (no longer made)

as for pedals i have a few, but i never use them hence not pictured ;P


Dam. Nice Set up.
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Feb 21 2010 05:25pm
Quote (x]FoRsaKeN[x @ 20 Feb 2010 22:33)
lmao a cowabell xD


whats wrong with cowbells? ;o
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Feb 21 2010 08:41pm


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Feb 22 2010 04:30pm
If I knew what most of that did I would comment. Iso knowledge
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Feb 22 2010 06:14pm
Quote (x]FoRsaKeN[x @ Feb 23 2010 11:30am)
If I knew what most of that did I would comment. Iso knowledge


Copied and pasted, was easier that way :)

The mixer is the device that fits in between your two decks and the amplification system; at the very lowest level of functionality, it allows you to crossfade between deck A and deck B.

Crossfading is the process of gradually raising the level (volume) of one deck and lowering the level of the other so that a smooth transition is made between two different tracks (at least in terms of volume – you’ll still need to time the transition properly so that the two records don’t clash and are properly beat matched).

Using Your Mixer’s Cue Function
Another feature you will need on your mixer is a headphone cue switch – this allows you to listen to deck B while deck A is still pumping out over the PA system. You’ll need this to set up your cue point for deck B, without having the entire venue hearing you scratch back and forth to find the right beat. Most DJ mixers will have some sort of rotary control which lets you cue mix in your headphones – that is, by rotating the dial you can set how much of the sound in the cans is coming from deck A and how much from deck B. If you set it to 50%, decks A and B will be coming into the headphones at the same volume – if you swing it to 100%, you’ll only be hearing deck B in there, and at 0% you’ll only hear deck A. Different DJs tend to prefer different balances for setting up their mixes – there are no strict rules here, whatever works for you is the way you should go, just as long as you can hear what you’re doing!
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Feb 24 2010 03:40pm
sounds intense
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Feb 24 2010 05:14pm
Quote (x]FoRsaKeN[x @ Feb 25 2010 10:40am)
sounds intense


Yeah, it's going to take me a while to perfect it, especially as I'm using drum and bass as my mixing music, which doesn't usually follow any specific pattern bpm wise.

I'll get it eventually :D
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Feb 24 2010 07:36pm
Quote (SharpSticks @ Feb 24 2010 06:14pm)
Yeah, it's going to take me a while to perfect it, especially as I'm using drum and bass as my mixing music, which doesn't usually follow any specific pattern bpm wise.

I'll get it eventually :D


true true, good luck with that bro :P
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Feb 26 2010 03:51pm
Bump
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Feb 27 2010 03:33pm
Will post pics up soon, but gear is mostly digital.


Guitars:
Custom Avenge BCRich S.O.B. - EMG81 Bridge pickup. (250 bucks to start, but so far one of the nicest BCRich guitars i've played under 500)
Ibanez RG350DX -Floyd rose 24 fret
Ibanez RG370- 7-string 24 fret (7-string FTW)
Brownsville Custom Floyd rose model - Fat Strat pickup setup 22 fret Scalloped Fretboard (custom) [sadly not functional, electrical problems. gives me an excuse to EMG it XD]

Effects:
Digitech RP250. yea buddy.


Studio Rig:
AMR 64 mixing board (like from the 80's or sumthin. old as dirt, but sounds naice!)
Digi X-edit2 (geetar FX progs)
FLStudio 9XXL
Adobe Audition
Toontrack EZDrummer
Toontrack Superior Drummer Metal Foundry [both are rigged midi thru guitar hero drum controller. FAIL but works great :D]
Cubase
Sharp 6-speaker surround [lmao home theater system for pro rec]



ISO halfstack FT fg'z lmao
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