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Oct 25 2009 07:31pm
inorite





Buck 65
The Floor



absolutely incredible.
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Oct 26 2009 12:09pm


Bike For Three!
Lazarus Phenomenon
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Oct 26 2009 09:23pm


Mischief Brew
The Lowly Carpenter



can't remember if I posted this or not.
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Oct 26 2009 11:53pm


B. Dolan
Crow On The Riddle

This post was edited by Gorikain on Oct 26 2009 11:53pm
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Oct 27 2009 05:41pm


The Tossers
Alone

This post was edited by Gorikain on Oct 27 2009 06:01pm
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Oct 27 2009 06:12pm
INTRO WORD by EUGENE HUTZ

There are many of us for whom music is an irreplaceable part of life. We rely on it to take us out of sadness, pressures of poverty, youth, age, etc. Mixed with alcohol it seems to be a remedy for just about anything, be it a rapid fire of notes exploding in catharsis all over the major key, or an obsessive marathon of soul-searching sounds crawling around minor key... it all appears somehow more solid and present in our lives than materials, something we can always address and hold on to. At its best, music connects us to a feeling as large as the whole goddamn universe itself...

Of course, sometimes, when sober, we can say, "Well, after all, it's just music..." Yet everywhere you'll go, in every culture, you'll see its major royal presence. Some say with a straight up claim that music is the essence of life (for example: Wlodzimier Staniewski with his theatre group Gardzienice (Musicality of Earth, or see Praktyki teatralne W. Staniewski Test, Lublin, 97, Poland)); I join in with them. Others see it more as an enhancing luxurious amusement-like activity. Sure, I'm down with that too, but one way or another, both positions advocate its primal positive powers.

Often you will hear people talking about a concert they've experienced for years! Why? In Gypsy mythology they say it is memorable because the devil visited that room; others say the other guy was there. But one way or another they all link it to supernatural...

Considering its power, it is not impossible to think of music making as a sacred art discipline and, for example, in anthropological tribal studies, the medicine man functions are not really differentiated from musicians. But let's not get too anthropological on your ass... these are just elementary streamline reminders of musics rocking good and what it could do.

But instead, saturated with garbage, airways discredit this art and separate people from the power and meaning of music. Rivers of meaningless puke are poured into ours ears on daily basis and many forget to even think about music as of a major source of energy, joy and inspiration... and fucking heat, too!

As a matter of fact, it has been turned into something that steals our energy and replaces it with stress and discouraging examples of what making music leads to. All kinds of false notions of joyless, artificial, pseudo-mythology are now firmly attached to it... Celebrity lifestyle, VIP status, acting like an asshole - all these notions seem to be inseparable from music making these days. Many fall for it just to be spat out with a raped and destroyed sense of self-worth. Kids start bands often motivated by fame alone. Of course, many great famous brothers, like Stravinsky or Josef Boyse, for example, succeeded in turning fame into a vehicle of positive energies and spreading great progressive shit. But it is perhaps, worth to mention that mechanics of modern fame have changed from its original oral tradition drive, which produced legends, anecdotes, good word, etc... Mechanics of modern fame are fueled by media and media alone and nobody in their fucking right mind, of course, would start passing legends about, for example, The Strokes... or their twin sister Britney Spears.

But getting back... it is as easy as one plus fucking three. The more sources of inspiration you have, the better off you are; the happier you go through your day towards a more enjoyable night; the better you generally walk through the fire; and so on life-ward to the next drink (Russell's 'Strategies of Being'). But economics these days so strongly rule the arts, and for obvious reasons favor English-speaking product, that it does not provide you with any info on actual real music at all. Even if you are a curious soul and ventured out to get something different, you very well end up with Buddha Bar or Putamya record products which promises you something exotic but basically are traps for yuppies who would like to fancy themselves cultured. That is basically like attending a belly dance class in Wyoming with the hopes to understand Muslims. Even if a good artist shows up on a compilation like that, after a label's re-mastered his work he comes across as nothing but an ass-licking background singing for Starbucks coffee shop. This situation also prolongs total ignorance and confusion. You'll find millions of people not knowing if they support or oppose Globalization simply because they dont know what it means, or, thanks to great products like Global Lounge compilation, you will find people who celebrate Globalization. And you’ll think, "Wow, man, I never thought that new Colonialism can be such a great cause for a party..."

Favoring of white, English-speaking product is often explained by patriotic or simply stupid arguments like, people can really understand this song. This is total fucking bullshit, for every scientist will tell you that sound is the purest form of information. The language barrier in the context of music does not exist. And majority of power is contained in fingers of a player and in the tone of his/her voice. This is why the emotional message of music is so instant and human. That's why the voice of Johnny Cash or Vladimir Visotsky goes unstoppably through anything to anyone, and meaning of music stands up in its full pride. Of course, lyrical content of a song may take it much higher, but not knowing English never stopped millions around the world (including myself) from growing up on rock 'n roll. So if you dont mind an extra fuel for your life you just may have to make music research your task, for information on good music is not provided, and not searching for it is basically stealing from yourself. Fortunately, most of us live in places where information, if not provided, is still accessible without riding a horse for a week. In some most animalistic highs, sometimes I dive with my ribs open out from the stage onto the table full of glasses and bottles. I'm pretty sure that if I would do it in silence, I would perhaps go straight to the hospital...

With our music, and music that we popularize, we try to reach out and remind people that, when taken out of the hands of a parasite, music is still a great lead into a democratic atmosphere of chaos, where moments of great freedom and where great friends could be found. And that in the world of rapidly dissolving authentic cultures, soul-searching through the music is something that connects you with the most authentic thing there - your savage heart.

Stay Strong and Fucking Enjoy,
Hütz.




Gogol Bordello
Sex Spider

This post was edited by Gorikain on Oct 27 2009 06:28pm
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Oct 28 2009 01:22am


Asakusa Jinta
Teppen
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Oct 29 2009 12:33am


Carbon Leaf
Dear



so incredibly soothing.
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Oct 30 2009 12:54am
Calm down, faggots. It's time for some Uilleann pipes.



Wolfstone w/ Jarlath Henderson
The List
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Oct 30 2009 01:42am


Buddy Wakefield
The Information Man

After over three hundred thousand miles,
twelve dozen breakdowns nervous,
a bunch of broken laws
and one too many midnights later,
I have come here from out of the rain
and into this rest area
caught twenty-two miles between you and me,
watching the Information Man
behind his information booth
juggling predictable conversation
with folks who look like iceburg lettuce
and who believe that somehow
the flat lines of small talk will give us life.
I want them to leave,
like a big deal orchestra removing itself from the stringed section
so I can fiddle with fate and make music.

There is a distance the size of bravery.
It forms like words in the mouth of a baby
reaching out for the point where all things meet.
On one end of it sits an Information Man
who I imagine holds down his second job as church bartender
behind locked doors leading to the bell tower
we are not allowed to see.
On the other end of this space
I am standing like shoe polish on an overstocked shelf
hoping that one day someone will pick me to make things better.
This is not a showdown or a shootout.
We are not facing off.
But I can feel the rumble between dusk and dawn
as if the chance to come clean with myself
will be outlawed
unless I relax.

I have heard
that if your pull a bent breath
through the second hole of a harmonica
tuned to the key of Georgia
while a train moves by
on the tail end of dusk
there is a good chance
you will finally know
what it means
to rest.
I
have not yet rested.

It takes a long time to make love
with someone who hates themselves.
It feels like Ive been standing here
for exactly that long when, at last,
the rain outside drops off
and takes everyone in the rest area with it
except for me, and the Information Man.

If we were created in Gods image
then when God was a child
He smushed fire ants with His finger tips
and avoided tough questions.
There are ways around being the go-to person,
even for ourselves,
but tonight Im going to get the answer
and you know what Im talking about,
THE answer.

So I put my best foot forward
and take the kind of deep breath
that gives me away
as someone who deals with anxiety
and odd numbers
every other
other every minute.
In between it,
the Information Mans eyes grab me
then shift
back and forth,
like mopping floors
with the sweat I sweat
in battles against myself.
Hes got me locked in and is smiling.

If youve never been rocked back by the presence of purpose
this poem is too soon for you.
Return to your mediocrity
plug it into an amplifier
and re-think yourself
because some of us are on fire for the answer.
I am ready for rejection
and rebirthing balance in my stutter steps
when the info guy finally pipes up
like C.R. Avery on a piano box
and says to me:

Listen,
if I didnt have so much of this life all wrong
I would have gotten it right by now.
I talk a whole bunch
but I really only know a few things,
so Im not saying follow along verbatim here.
Ill just tell you the things I tell myself—
the things I know—
and you can see what sticks

I know our shoes were stitched from songs about highways.
The best songs are the ones about Georgia
even though Ive never been there,
its the only place I still believe in Jesus.

I know that no matter what it is you believe in,
youve got to spare yourself the futility of making fun of God
because that guy hasnt even talked in like
ever.

I know troubleshooting yourself in the foot
and acting as center of your own universe
is a tricky dichotomy to deal with
but, yes, you ARE the center of the universe.
If you werent
you wouldnt be here.
So as the middle of space and everything floating in it
it is your job to know
that the emptiness
is just emptiness,
that the stars
are stars,
and that the flying rocks
fucking hurt,
so please
stop inviting walls into wide open spaces.

I know everything is out there.
Its why they call it everything.

I know there are times
when you will lay your head to rest
and have a moment of brilliance
that grows into a perfect order of words
but you will fall asleep
instead of painting it down on paper.
When you wake up,
you will have forgotten the idea completely
and miss it like a front tooth
but at least you know how to recognize moments of brilliance,
because even at your worst
you are fucking incredible.
It comes honest.

So return to yourself,
even if youre already there,
because no matter where you go
or how hard you try
or what you do
the only person youre ever gonna get to be
and I know it, thank God,

is you.
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