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Nov 18 2012 01:49am
Quote (Aphex @ Nov 18 2012 01:16am)
Haha! I think the similarity is vague but I can definitely see how your mind went there, unless you're not talking about British ensemble, and I'm completely missing the point.

L'Orange is very quickly becoming one of my favorites. There are several other tracks that I want to post here, but I'm saving them for later to keep the variety diverse for the time being. I've never heard anything like it.



No, you got it :)

I went to youtube and listened to a few. The Night = FTW (so far)
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Nov 18 2012 08:19am
Classik sh!t

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Nov 19 2012 08:10pm
Orsten - Fleur Blanche


I also highly recommend Orsten - Adagio Sostenuto. It's far more atmospheric that this here.
Unfortunately, the only YouTube post of this tune has been removed on grounds of copyright infringement, and I can't find any other public source for it. Not even a sample.
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Nov 20 2012 05:23am
^The name Ortsen ( i liked it a lot ) remembered me this :

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Nov 20 2012 10:55pm
Stay posting, my friends.

Funnily enough, Orsten's Myspace profile page has the Adagio Sostenuto YouTube video embedded in it. I have to imagine that the record company or an affiliate of the record company had the video flagged some time ago.
Shame. It was a beautifully composed piece that cannot be shared here.

Kabanjak - These Streets We Walk
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Nov 20 2012 11:21pm
Unfortunately, very repetitive. Fortunately, very thrilling.

JNYCE - Checkmate
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Nov 20 2012 11:50pm
Maomakmaa - Unicorn (Jasmon Remix)
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Nov 21 2012 12:54am
The lack of attention to this thread is somewhat depressing. Yet, it is somewhat expected, seeing as instrumental hip-hop and its neighboring families (commonly trip-hop), is a somewhat uncommon trend.

It's no large matter to me. I will continue this thread until instrumental hip-hop is an absolute cryptic style of music. It is more for myself than it is for anyone that I know, as an archive for lesser gems that have yet to be publicized by larger audiences.

More than anything, I truly feel an empathy for people who put time and thought into their compositions, and then fail to be acknowledged by anyone who care to pay them a penny for their time. This is how mainstream bullshit (like... uh... Beiber) comes to existence. No one with the necessary commercial resources is available to advertise their work. And so, they sell out to the most popular of the majority-enthused art.

THIS... This, ladies and gentlemen, is how a true artist of music become a shade of yellow, becomes a shade of grey, becomes a shade of normality. They cave in to the publicly accepted normality. They become normal, in a sense. They become unimaginative. They become sell-out.

They do this because... Money. They do this so they can afford food, and water, the ability to live without your help.
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Nov 24 2012 11:55pm
Odjbox - Birmingham
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Nov 24 2012 11:57pm
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