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Jun 26 2012 12:15pm
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Jun 26 2012 09:24pm
Quote (HERETICtheory @ Jun 17 2012 05:49pm)
I've been using Live 8 since January and loving it.  Before that I used FL Studio for about 5 years and knew it like the back of my hand.  It was great but very limited in what I really wanted to get out of my music making experience and it took me some time to realize that I could do so much more. 

Lately I have been composing in Ableton and then mixing/mastering in Logic.  I don't know if the summing algorithm in Logic is really better than Ableton's or not but I feel I can hear a difference.  There's been a million threads and arguments about it and I really believe the only difference is what sounds best to YOU.  But I like Logic for mixing because it feels more solid or something, like it's really built for powermixing.  Ableton just doesn't have the same rigour it seems.  But Ableton is unparalleled for twisting and manipulating audio in my opinion.  Also it has some fantastic features like the ease of building instrument and effect racks with massive chains and tweak-ability.  And Ableton's workflow is what every other DAW wishes it could do.  I think mixing would be fine in Ableton but given the state of the tracks after the composition stage, it could get really messy quickly so if I was going to mix in Ableton I'd probably freeze everything to audio first and start from a clean slate.  That's part of why I use Logic, to get a clean slate and fresh new workplace to mix from. 

Sort of a weird analogy but Ableton is like a sandbox freeroam kind of game, like GTA or something to me, and Logic is more rigid in what you can and can't do, more traditional, like a side scroller game or something where the levels have boundaries you can't cross.

I've never really used Reaper, I have a copy of it but I just never knew it well enough and I was already happy with other DAWs so I can't comment on the differences really.  For some reason I was under the impression Reaper was a bit watered down but honestly I have no clue.  In the end I think the DAW is really whatever sounds good to you and compliments your workflow so it's relevancy is highly personal in my opinion but if you haven't tried Ableton, I strongly recommend it.  It can be a game changer for sure.  Especially it's warping engine.  Nothing else compares to that right now, perhaps Bitwig will but for now it's pretty much in it's own league.

Bitwig is supposed to come out for beta this month or next I think and there's been a lot of talk of it being like an Ableton/Logic lovechild and if that's really the case I could see myself switching over at some point.  Some of the core Ableton guys left Ableton to start Bitwig because they felt Ableton wasn't giving as much attention to certain features as they should have, and I agree with some of their points.  For example, something that has been driving Ableton users nuts is the lack of automation curves.  To me, it's a very minor detail but some people have been asking for them since the beginning and we're on version 8 now and we still have to draw curves in by hand which kind of sucks and is a little stone-age-esque.  And of course the summing engine has been a source of intense debate as well.  Bitwig could be the new best thing ever, we'll have to wait and find out but it's looking promising.

Considering all things, I think a DAW that compliments your work and can handle the plug-ins that you like, is really the most ideal scenario.  Logic has probably the best stock plug-ins I have heard (nice soft synths and pretty excellent stock effects, especially Space Designer) but at this point I use mostly third party software anyway so it becomes a pretty moot point.  Ableton's stock stuff is hit or miss, some is great, some is awful.  Just gotta use your ears and pick what you like I guess but certainly there is enough there to make quality music right of out the box. 

I used to feel like switching over to a new DAW was a hefty process with a new learning curve that I just didn't have time for but lately I've been transitioning between them and it's been pretty straight forward and if that continues to be the case, sticking with one DAW may end up just limiting you.  Having the right tools at hand is necessary for any job and I really think every DAW offers something unique.  I still miss FL sometimes because of features that are unique to it. 

What are you looking for in a DAW?  What has got you sick of Reaper?  Maybe finding something that addresses those concerns is a good place to start.  I also have a personal interest in learning Cubase, it seems to be a really solid DAW as well, right up there with Logic in terms of professional quality, in fact, some consider Cubase and Nuendo to have the best sound of them all but again, I think that's highly personal. 

I'm curious to hear what you've been thinking and considering and what you end up deciding on.  If you've got any questions about Ableton or Logic feel free to ask away, I've been quite happy with both of them.


I'm downloading the trial of Ableton Suite right now, so I may have some noob questions for you in the coming days :D

What's irritated me with reaper? So many things! For one, it's unstable as shit with certain programs. Omnisphere and Reaper don't play nice together, it crashes Omnisphere at least a few times every time I use it. It's quite awful. I'll be in the middle of editing a patch, and Omnisphere will just completely crash and die. Also, it seems to have issues with my midi controller as well. It seemingly loses connection to my midi controller if I leave it on without playing it for a sum of time, so that I have to restart reaper to get it to recognize my controller again, as rebooting the midi controller doesn't seem to do it. Reaper also seems to just crash for no apparent reason sometimes as well. I have no idea why.

I've been reading about Ableton and I hear the workflow is really easy, which is what I'm looking for. I want something I can just get into right away without having to spend hours going over the manual to find out how to do this or that.

I hear great things about Cubase, it's all Infected Mushroom uses, so I don't doubt it's sound quality or versatility for that matter. Pretty much anything Infected uses is guaranteed top shelf, their production is easily the best I've heard from any electronic artist, (In my opinion).


Also, nice Ott track! I've never heard this one before, really enjoying it!
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Jun 26 2012 09:51pm


New Astral Projection!

Really dig it, good stuff. Great Goa as always from these guys.
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Jun 27 2012 01:53pm
Quote (Makemetalmusic @ Jun 26 2012 10:24pm)
I'm downloading the trial of Ableton Suite right now, so I may have some noob questions for you in the coming days :D

What's irritated me with reaper? So many things! For one, it's unstable as shit with certain programs. Omnisphere and Reaper don't play nice together, it crashes Omnisphere at least a few times every time I use it. It's quite awful. I'll be in the middle of editing a patch, and Omnisphere will just completely crash and die. Also, it seems to have issues with my midi controller as well. It seemingly loses connection to my midi controller if I leave it on without playing it for a sum of time, so that I have to restart reaper to get it to recognize my controller again, as rebooting the midi controller doesn't seem to do it. Reaper also seems to just crash for no apparent reason sometimes as well. I have no idea why.

I've been reading about Ableton and I hear the workflow is really easy, which is what I'm looking for. I want something I can just get into right away without having to spend hours going over the manual to find out how to do this or that.

I hear great things about Cubase, it's all Infected Mushroom uses, so I don't doubt it's sound quality or versatility for that matter. Pretty much anything Infected uses is guaranteed top shelf, their production is easily the best I've heard from any electronic artist, (In my opinion).


Also, nice Ott track! I've never heard this one before, really enjoying it!


No worries, feel free to ask whatever and I'll try to help you out. Ableton is a bit different from most DAWs but I think it really is more user friendly for new users so I think you'll enjoy that aspect.

Couple things about Ableton regarding your concerns with Reaper:

If your MIDI controller loses connection for whatever reason (this never happens to me) you can reconnect it without closing Ableton, it's simply a box you click in preferences and voila.

As far as Omnisphere, I don't have it so I cannot comment on it but I will say this. I just got a new computer 2 days ago and it came with OS Lion where I had been using Snow Leopard before. I encountered some issues with one plugin in both Logic and Ableton, 2C Aether. It won't work and I'm not sure why, it worked fine on Snow Leopard on my last iMac and it works fine on my Macbook Pro with Snow Leopard so perhaps it's an issue with Lion or simply with the crack I am using. Also, Ableton wouldn't scan my VSTs, only my AUs which is sort of minor but it never happened before so it really irritated me. Everytime I ask it to scan my VSTs it crashes. As a result, I have now reformatted the whole computer and I am trying to install my cracks one at a time to thoroughly test them before installing another. That way I can zero in on the problem plugs. But right now I am waiting for Ableton to get back to me because apparently I used up all my serial numbers while trying to fix my computers. I have installed Ableton 3 times in the past week due to issues with my computers so I am really hoping they don't fuck me over and tell me they won't provide any. So right now I can't make music (haven't been in weeks due to these computer issues) and I can't comment on what the problem is until I am able to run Live again. All this to say, some plugs don't like some DAWs and I think that's a rough fact of life but there's certainly things you can do to help it and if I had to guess I would say that you will encounter this issue less on Ableton, though like I said, I don't use Omnisphere.

Finally, sadly Ableton does crash from time to time for me. Not that often, but it does happen. However, I see it as an extremely minor issue. It will set you back a few seconds because you have to relaunch but Live is great about getting your work back up. It monitors every move you make and adds it to an undo list and when Live crashes or is forced to quit, it will ask you on the next launch if you would like to recover your last undos. This has never set me back, it is always the very last move I made before the crash which is amazing. What a great feature. However, I will say that Logic crashes less in my experience, though Logic has sample rate overload issues when you get into heavy stages of mixing.

Anyway, let me know if you have questions or whatnot and I'd be happy to help. Some of the stuff in Live is semi-hidden but the program goes much deeper than the surface level stuff, especially regarding live performance. The possibilities for performing are nearly endless. And if you do check out Cubase, let me know what you think. If I get another DAW anytime soon it will be Cubase or Bitwig and Bitwig is a bit IF right now, everything is still up in the air.

And yeah, Ott is the man. :D
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Jun 29 2012 04:56am
That sucks man, hope you resolve the issue @_@

Omnisphere is pretty interesting. Mostly for the samples though, I have to admit. The synth engine is pretty powerful, and can do some really awesome ambient stuff, but I just find myself liking the texture of hardware more when it comes to everything else. There's just something about hardware that sounds so much more...3D? The sound has more dimension. Omnisphere comes as close as software has ever come though, in my opinion. How have you been liking that Kurzweil you got? You got the k2000, right? My memory is terrible.


Also,



This song right here dude. This. Song. It's awesome.
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Jun 29 2012 02:39pm
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Jun 30 2012 01:15am
http://www.acceler8or.com/2011/11/shpongle-psychedelics-an-interview-with-simon-posford/

Very interesting interview with Simon Posford, definitely check it out!
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Jun 30 2012 12:38pm
Ableton got back to me, well wait, no they didn't. But they unlocked my codes! Took me a bit to realize they did since they never emailed me or anything. But at least I'm making music again now and having a fucking blast, feels like it's been so long.

I've heard nothing but good things about Omnisphere, I'll have to search around again. And yeah, I own a K2000, it's a fantastic synth. I am so happy with it, very proud to own one even if it's not that legendary or anything. It can do just about any type of sound and it has a unique flavor to it with some great onboard effects. I wish I used it more honestly. I am planning to try to incorporate it into this current track, we'll see how that goes. Right now I am running everything through a Duet which is only 1 channel so I can't really have a bunch of synths hooked up and just jam, I have to record one, hook another up, loop them together, repeat to get any kind of jam going on hardware. Luckily I only have the microKORG to couple it with anyway.

It's just so much faster to grab a softsynth in the heat of the moment and tweak off a preset or even from scratch is much faster than the K2000. And honestly, software is starting to sound great to me. There are certain characteristics which I find more desirable in certain hardware synths but it really comes down to specifics like the specific filters or whatnot, not so much just the fact that it's hardware, for me at least. Some hardware still sounds like shit. My microKORG is okay, it's not awful or bad by any means but it's certainly not that fat analog sound, it's just kinda bleh, similar to a lot of software, I guess because it IS software, just in a box. The K2000 is a VA also so no real analog components. The problem is the K2000 has no knobs, it's all menus and while I've found it way easier to program than people have alluded to, it's also just not as fast and effective as some of the software can be in the flow of an artistic idea. It's great for some way twisted sounds though, fits well for psytrance in a less defined way... like I get more textures out of it than leads usually but some nice leads have also emerged.

I've been realizing that saturation is so crucial in every mixing stage and that, for me, has been a key to getting software to sound more analog. Emulating full analog still isn't the same but we are approaching those days I am quite sure. I've heard amazing things about U-He's Diva which actually models the circuits inside of an analog synth. It's, from what I've heard, the most analog sounding software around but a DSP monster. I've been debating dropping the cash on it as I can't find any other "sources" for it. Anyway, at least to bring up fatness and warmth, saturation has helped me tremendously. Usually several stages of saturation and compression, a bit of limiting can really bring a sound to life, especially with the right plugs. I can't thank Sound Toys enough here, Decapitator is a beast at doing this, and indeed all their plugs have great analog saturation parameters at the end of their chains because it's such a fantastic way to warm a mix. And of course, beautiful reverb, my favorite effect!

I hope to one day (soonish) get a nice vintage analog synth. I would LOVE an Andromeda or an SH-101. I have some interest in Yamaha's CS5, but only really because Carbon Based Lifeforms uses it to great effect so I don't know yet. But until then, I've been getting sounds I've been really happy with out of just a couple software synths and while I do feel they lack a bit of depth, I understand the compromise I'm making and I have faith that in 3 years or so from now the softsynths around will blow us away.

What are you using as far as hardware? How are you liking it? I know you said you had a Blofeld that you felt you might sell, how'd that go?

Anyway, great interview and great CBL track. The track before it is my favorite off that album, 20 Minutes. Polyrytmi has this old school synth vibe, to me at least, the opening sound reminds me of really early like 70's synth sounds or something. Great tune!

Anyway, this track really struck me.



Edit: Here's a great quote I found last night by Ott on his fan questions page. Really emphasizes the use of saturation.

Q

If we could think of making music as making food, what in your opinion would be the salt the enhances the flavor of the ingredients? about the "transparent compression", any ideas for good plugins?

Ott responded on 06/18/2012
A

Salt is distortion. Not enough is bland and uninteresting, too much is horrible and the difference between the two is a very fine line.

Most plugin compressors will do a good job of reducing dynamics without colouration. That is both their strength and their main weakness.

The compressors bundled with your DAW are almost guaranteed to sound pretty bland.

This post was edited by HERETICtheory on Jun 30 2012 12:44pm
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Jun 30 2012 02:08pm
My Blofeld is dead :( Well, at least in a coma. Something on it fried and now it produces no sound, aside some horribly distorted patches and weird clicking/popping noises. I was told it may be the output amplifier. I'm going to send it in for examination/possible repair when I have the money. Really saddens me, I fucking loooooved my Blofeld. No other synth sounds like it, at all. Made the most psychedelic pads I've ever heard. I also have an Akai Miniak and a Spectralis. The Miniak is great, but it sounds so dirty and raw (Much like an old nord lead 1, but even nastier and thicker) it doesn't seem to play nice with my other synths at all. Just dominates everything. With EQing I can make it sound more polite, but eh...Getting kinda fed up with its attitude, lol. My spectralis is gonna go, I need to get rid of it. I'm sick and tired of it's interface and the lack of development by it's parent company. The company released a new synth which they now spend all their time on, giving it updates, fixing bugs, when the Spectralis has been around years longer and STILL has glitches. Hell, they even gave their new synth (It's called the Accelerator) a software editor, which it hardly needs since it's much more limited and has a much better interface than the Spectralis. I'm honestly just pissed with how the company has completely stopped support and left so many people with a half-baked synthesizer. It sounds great, but due to the lack of development, long-standing glitches, lack of new OS, lack of editor, lack of so many things, I just want to get rid of it. I paid 1,200 for it like 2 years ago, maybe a little longer. I should be able to get 1,000 of that back, if I'm lucky. I had an offer of 1,300 like a year ago but stupidly decided not to part with it then.
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Jul 1 2012 02:32pm
Damn dude, sorry to hear about the Blofeld, that really sucks. I hope it turns out alright for you man. The Miniak looks pretty cool, sort of reminds me of a microKORG, maybe just because of the vocoder though. Seems like a nice little synth but I know what you mean about "mixablity" with other instruments. I remember you mentioned the Spectralis and I looked it up and it seemed really cool, seemed like a great thing for psybient kinda stuff but it's too bad to hear they've let it fall to the wayside. If you can get good cash for it, then at least you can sell it. I probably can't sell most of my older gear since I was too young to really care enough to take care of it properly. It all works fine but my microKORG, among other things, looks like it's seen better days for sure.

Have you seen the Arturia Minibrute? Looks like a pretty cool new analog synth and real cheap too. But I still feel like if I was gonna drop 500 on that I would probably just scrape together another 3 or 400 and grab an SH-101 instead. I have my eye on a very nice listing but I lack the funds at the moment. :( One day though! Honestly, I need to start incorporating what I have first, it's so easy to fall into gear lust with every fucking cool thing you see lol. But I DO want an analog counterpart to my digital sounds. Hmmmm...
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