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Nov 9 2009 05:51pm
I tried something I am aware it will most likely suck, but ya maybe some comments and whyte help me on fixing

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Nov 9 2009 06:06pm
Quote (Iceey_912 @ 10 Nov 2009 00:51)
I tried something I am aware it will most likely suck, but ya maybe some comments and whyte help me on fixing

http://avatar.pure34.com/users/jake/logo.jpg


Quote (Iceey_912 @ 10 Nov 2009 00:51)
I tried something I am aware it will most likely suck, but ya maybe some comments and whyte help me on fixing

http://avatar.pure34.com/users/jake/logo.jpg


The space between the Z and A is to big, also the A's go above the other lower letters.
This is all I can say of what I know about typographic.

I would remove the 3 dots above the logo, or make it go from bit to small (Up to down).
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Nov 9 2009 06:12pm
Quote (Amstelkid @ Nov 9 2009 08:06pm)
The space between the Z and A is to big, also the A's go above the other lower letters.
This is all I can say of what I know about typographic.

I would remove the 3 dots above the logo, or make it go from bit to small (Up to down).


like small to big? or vice versa?
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Nov 9 2009 06:18pm
Second Attempt



Comment tips please.
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Nov 9 2009 06:21pm
I think you should have posted this in a new topic, just not to get off topic about what dan is trying to do.
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Nov 9 2009 06:22pm
but he will get to this soon.
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Nov 9 2009 09:13pm
Great Logo Tips

What Not to Do


1. Relies On Trends

Trends (whether swooshes, glows or bevels) come and go and ultimately turn into cliches. A well-designed logo should be timeless, and this can be achieved by ignoring the latest design tricks and gimmicks. The biggest cliche in logo design is the dreaded “corporate swoosh,” which is the ultimate way to play it safe. As a logo designer, your job is to create a unique identity for your client, so completely ignoring logo design trends is best.

2. Uses Raster Images

Standard practice when designing a logo is to use vector graphics software, such as Adobe Illustrator or Corel Draw. A vector graphic is made up of mathematically precise points, which ensures visual consistency across multiple sizes. The alternative, of course, is use to raster graphics software, such as Adobe Photoshop. A raster graphic — or bitmap, as it’s commonly called — consists of pixels.

Using raster images for logos is not advisable because it can cause problems with reproduction. While Photoshop is capable of creating very large logos, you never know for sure how large you will have to reproduce your logo at some point. If you zoom in enough on a raster graphic, it will appear pixelated, making it unusable. Maintaining visual consistency by making sure the logo looks the same in all sizes is essential.

The main advantages of vector graphics for logo design are:
  • The logo can be scaled to any size without losing quality.
  • Editing the logo later on is much easier.
  • It can be adapted to other media more easily than a raster image.
3. Contains Stock Art

This mistake is often made by business owners who design their own logo or by amateur designers who are not clued in to the laws on copyright. Downloading stock vector imagery from websites such as VectorStock is not a crime, but it could possibly get you in trouble if you incorporate it in a logo.

A logo should be unique and original, and the licensing agreement should be exclusive to the client: using stock art breaks both of these rules. Chances are, if you are using a stock vector image, it is also being used by someone somewhere else in the world, so yours is no longer unique. You can pretty easily spot stock vectors in logos because they are usually familiar shapes, such as globes and silhouettes.

This post was edited by Iceey_912 on Nov 9 2009 09:16pm
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Nov 9 2009 09:15pm
3. Designing For Yourself Rather Than The Client

You can often spot this logo design sin a mile away; the cause is usually a designer’s enormous ego. If you have found a cool new font that you can’t wait to use in a design, well… don’t. Ask yourself if that font is truly appropriate for the business you’re designing for? For example, a great modern typographic font that you just love is not likely suited to a serious business such as a lawyer’s office.

Some designers also make the mistake of including a “trademark” in their work. While you should be proud of your work, imposing your personality onto a logo is wrong. Stay focused on the client’s requirements by sticking to the brief.
4. Overly Complex

What better analogy for thumbnail images than fingerprints? You’ll notice the intricacies of your fingerprints only when looking at them really close up. As soon as you move away, those details are lost. The same holds true for highly detailed logo designs.

When printed in small sizes, a complex design will lose detail and in some cases will look like a smudge or, worse, a mistake. The more detail a logo has, the more information the viewer has to process. A logo should be memorable, and one of the best ways to make it memorable is to keep things simple. Look at the corporate identities of Nike, McDonald’s and Apple. Each company has a very simple icon that can easily be reproduced at any size.
5. Relies On Color For Its Effect

This is a very common mistake. Some designers cannot wait to add color to a design, and some rely on it completely. Choosing color should be your last decision, so starting your work in black and white is best.

Every business owner will need to display their logo in only one color at one time or another, so the designer should test to see whether this would affect the logo’s identity. If you use color to help distinguish certain elements in the design, then the logo will look completely different in one tone.
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Nov 9 2009 09:19pm
6. Poor Choice Of Font

When it comes to executing a logo, choosing the right font is the most important decision a designer can make. More often than not, a logo fails because of a poor font choice (our example shows the infamous Comic Sans).

Finding the perfect font for your design is all about matching the font to the style of the icon. But this can be tricky. If the match is too close, the icon and font will compete with each other for attention; if the complete opposite, then the viewer won’t know where to focus. The key is finding the right balance, somewhere in the middle. Every typeface has a personality. If the font you have chosen does not reflect the icon’s characteristics, then the whole message of the brand will misfire.

Bad fonts are often chosen simply because the decision isn’t taken seriously enough. Some designers simply throw in type as an afterthought. Professional font foundries, such as MyFonts and FontFont, offer much better typeface options than those over-used websites that offer free downloads.
7. Has Too Many Fonts

Using too many fonts is like trying to show someone a whole photo album at once. Each typeface is different, and the viewer needs time to recognize it. Seeing too many at once causes confusion.

Using a maximum of two fonts of different weights is standard practice. Restricting the number of fonts to this number greatly improves the legibility of a logo design and improves brand recognition.
8. Copies Others

This is the biggest logo design mistake of all and, unfortunately, is becoming more and more common. As mentioned, the purpose of a logo is to represent a business. If it looks the same as someone else’s, it has failed in that regard. Copying others does no one any favors, neither the client nor the designer


This was all found on continous sites, using google, thought would be better posting the info then posting tons of links.
I take no credit for this.
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Nov 9 2009 09:21pm
great to read some good tips!

Btw, should post some typo-signatures for companys! Would help me alot broski!
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