i used a couple different ones

e:/ was really inspirited.... have seen alot of " bull fighting " paintings lately...... some sick ones

This post was edited by UncleMuscles on Nov 3 2010 09:27pm

neet, gj.

thanks mate, any tweeks/flaws you see that i need to fix?


e;/ ive also been trying to just work on one main layer.... rather than layers upon layers.....

makes it feel more traditional

This post was edited by UncleMuscles on Nov 3 2010 09:31pm

well, I suppose.

Your light source is every were, gotta pick an angle and stick with it.

The doorways in the back are many different hights, while you could blame it on old world craftman ship its not making it look any better.

The doorways unless they are flat with the camera, which I can tell there not should have some sort of perspective. the one all the way to the left would be a little smaller then the one all the way to the right. get your lines and grid made.

His socks are great, but his foot is bothering me. He has no shadow, but the cape does.

Bulls face needs some work, it looks like he should have a trunk.

The wall has shadows going both ways?

the cppe needs to look like it has a tention point, hes ripping it away and it should reflect a single point of tention.

The ground needs some more texture, these two have been dueling for a while. you need some foot prints ect ect.

This post was edited by FloraFreak on Nov 3 2010 09:46pm

great cnc mate, ima continue to work and perfect this shat, just what i needed to hear!!! thanks

always need that other perspective

np, I know the feeling.

is it bad to hav emore than 1 light source? JW

or is it usually best to focus on 1 main source?

Its not impossible, but what would the light be from?

you could have secondary shadows, but the sun will cast a darker shadow then a reflection or a man made lighting.

true trueeeee tanks

the midgrounds perspective is off and as a result it looks like the water is going downhill at an awkward angle. the mountain on the right side is distracting, i think it's the fact that it goes straight down to the edge of the canvas that bothers me.
plan your drawing... sketch sketch sketch sketch.



the proportions are really really bad. you need to study-sketch-study-fix-repeat before you colour it. more still life studies!